<100-Word Review of Lanie Laynz’s ‘April’s Fool’ by Gemma White
‘April’s Fool’ by Lanie Laynz is an intentionally immature and highly energetic salute to early 2000s punk-pop artists like The Veronicas or Avril Lavigne. Laynz’s […]
Reviews
<100-Word Review of Brittle Sun’s ‘Words in the Dirt’ by Jason Whatt
Brittle Sun’s new song ‘Words in the Dirt’ tells the tale of insomniac dysfunction and love on the edge of disintegration. ‘Craving makes the heart sick’ […]
<100-Word Review of Simone Spittle’s ‘Refuge’ by Gemma White
Simone Spittle’s single ‘Refuge’ is not the kind of music I usually listen to. But that doesn’t mean it’s not appealing to me. The pure […]
Review of Fotoula Reynolds’ Kairós by Gemma White
Reading Kairós is like finding yourself in that still place on the surface of a lake from which radiating concentric ripples spring. It’s a calm […]
Review of Amanda Anastasi’s ‘The Inheritors’ by Roxanne Bodsworth
There has been a lot already written about this collection of dystopian eco-poetry but what most stood out for me was the relationship that Anastasi […]
The Dialectic Of Trauma: A Review Of Anders Villani’s ‘Totality’ By Tim Loveday
It’s ironic that I’m writing this review the morning after a total lunar eclipse. Ironic because this is not only the event that Anders Villani […]
Review of Gemma White’s ‘Furniture is Disappearing’ by Roxanne Bodsworth
Interactive Press 2014 ISBN 978-1-922120-70-0 Roxanne Bodsworth When living with the threat that the tactile experience of reading may be subsumed by the digital era, […]
